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The technique of imprinting designs onto fabric using wooden blocks soaked in dye is recognized as woodblock printing.

 

The advantage of integrating motifs and intricate patterns onto distinct blocks to craft distinctive designs rendered the resulting textiles both economical and captivating. Among the well-known block printing traditions are Ajrakh, Bagh, Bagru, Sanganeri, Saudagiri, Mata ni pachedi, Namavali, and Balotra. Additionally, lesser-known practices like those of the Chhimba community in Punjab and the more recent methods in Serampore, West Bengal, contribute to the diverse landscape of block printing.

The quality of block-printed textiles relies on factors like block carving, dye richness, and mordant effectiveness. While woodblocks from woods like sheesham, Sagwan, and Rohida are favoured for their texture and ease of carving, they are preferred over metal and terracotta blocks. Gujarat and Rajasthan are known for their traditional woodblock carving, with Pethapur in Gujarat and Jaipur in Rajasthan being primary centres.

 

Each block-printed motif might involve multiple blocks for distinct elements, requiring careful coordination between block makers and printers. Mordants are often added to the dye to enhance adhesion to the fabric, as many natural dyes struggle to stick. This technique has transformed with the use of chemical dyes, giving rise to direct and discharge printing methods.

 

Block printing is often combined with other techniques like resist-dyeing, resulting in intricate designs. Different regions in India have distinct block printing styles influenced by their materials, tools, cultural factors, and communities. These textiles historically signified wearer identity and status but have evolved due to urbanisation and mass production.

 

Despite changes, traditional block printing in India has maintained its authenticity, aesthetics, and techniques. Recent years have seen a resurgence of interest in block-printed fabrics in both Indian and international markets, driving efforts to preserve and revitalise indigenous traditions. Museums like the Sanskriti Museum of Indian Textiles, Calico Museum, and the Anokhi Museum of Hand Printing hold valuable collections of these textiles.

History

Although block printing is believed to have existed in a rudimentary form as far back as the Indus Valley civilization, tangible evidence of these textiles and their global trade emerged from cloth fragments originating in Gujarat, discovered in Egypt and Indonesia, and dated to the thirteenth or fourteenth century. 

 

Block-printed fabrics have a rich history of international trade across the Indian Ocean, both in the western and eastern regions. European involvement in this trade emerged during the fifteenth to nineteenth centuries through routes mediated by Portugal, the Dutch East India Company, and the French East India Company. European demand for Indian printed cloth, including Kalamkari and chintz, was capitalised on by the British East India Company, leading to trade monopolies from the seventeenth century onward. The Indian Ocean commerce involving Indian textiles endured until the nineteenth century when it was taken over by the British East India Company and later the Crown.

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While numerous Indian communities engage in this craft, the Khatris and Chippas in the northwestern regions of the country hold the distinction of being the oldest known groups consistently involved in block printing, with their lineage tracing back as early as the sixteenth century.

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